How To Innovate

“Innovation” is a word we hear a lot… most of the times from baby boomers in quasi-tech environments… like my dad.

My dad always had “innovation” in his company’s tag lines. The word, for better or worse, is carved into my conscious mind.

I always thought: man, what a hard thing to do, innovating. Making something from nothing. Doing something no one’s ever done before.

Now that I’ve been designing and making and “innovating” for a while I see I had it all wrong. Innovation doesn’t come from nothing.

Innovation doesn’t come from thin air. It’s not something from nothing. Ex nihilo. (all that money on a theological education really paying off, right there).

Innovation comes from discovering what a thing actually is. It always starts with something and then goes deeper, closer to the core of what that thing is.

It’s not blue sky solutioneering or spit-balling. It’s, “hmm, I think people will actually behave this way, not that way…”

And that phrase shows up wherever innovation happens.

“People don’t want that. They ACTUALLY want this.”

“It’s not about that. It’s ACTUALLY about this.”

This is what happens in good stories. Darth Vader isn’t just a bad guy. He’s ACTUALLY (spoiler alert) Luke’s dad and deeply troubled about being a bad dad.

Crash Davis in Bull Durham isn’t an all star player. He’s ACTUALLY an all star coach.

It also happens in our own stories as we do the self discovery thing. In the Enneagram (ask me about it sometime) I thought I was the achiever but I’m ACTUALLY the enthusiast… that changed so much about how I saw myself.

We think we want freedom, but we ACTUALLY want connection and intimacy.

I thought the loss of my infant son would siphon the color from the world and grind me to a halt, but it ACTUALLY brought life into stark contrast, making me bold about what I wanted for my family.

And it happens in real businesses. I know we’re not supposed to use Apple as a business example… but whatever.

At the core of Apple is a delusional visionary yelling “people don’t want ____, they ACTUALLY want ____.”

People don’t want a computer. They ACTUALLY want to DO THINGS with a computer.

People don’t want to have to learn how to set this machine up. They ACTUALLY want to simply turn it on and start using it.

I’m remembering something Steve Jobs said in an interview about when he brought one of the first Macs to a party at John Lennon’s house (like you do). He said the old people wanted to know how it worked and the young people wanted to know what it did.

Apple did it again with the iPod. People don’t want CDs. They ACTUALLY want all their music with them wherever they go.

Innovation comes from understanding what the thing actually is in a new way. Ideally, it’s getting closer to what the thing truly is.

That’s why design is so important to all of us, because the discipline of design is the process of making a thing what it is. Design, according to Frank Chimero, asks us, “what does it want to be?”

With Apple the problem was the distance between humans and computers. Design is how you shrink the delta.

As a writer I design my story. First this. Then that. Redact this bit. Why? Because it’s not what the story is. Editing is design. Or vice versa.

Innovation through the design process is also in great advertising. The story you use to tell others what your thing “is” is critical… it’s the first impression, the handshake, the bit that clues someone in to if you you’re like them or not.

Those Chrysler ads with Eminem (I loved them so much) were saying: you think it’s just a car but it’s ACTUALLY the reclamation of american manufacturing.

This is a story. You don’t have to believe it, but that’s the hypothesis they posited.

Apples hypothesis was people don’t want to and shouldn’t have to learn anything. They want a cute and intuitive easiness. It was a hypothesis. There was no proof it would work.

It worked. It manufactured love. It altered the course of an industry.

What’s your hypothesis? What are you saying? Have you dug in deep enough to know what your thing is? What does your thing want to be?

I wish I had a secret for discovering what your thing is. Some people simply know when it’s not there yet. It’s a sense that it won’t come off the right way yet, we’re not at the heart of it yet. I think this is my only real great skill… I know when it’s not there yet. I don’t necessarily know how to get it there, but I usually have some ideas.

I don’t know if this is “taste” as Ira Glass put it, but I suspect it’s in the vicinity.

Innovation isn’t creating out of thin air. It’s always developing upon something, getting closer to the heart of something. Be disciplined in the process of exploring what a thing is. Not this, that. Over and over again.

When you discover — through the work — what the thing ACTUALLY is… that’s when your product begets the story begets the love.

And maybe more importantly: that’s when you’re standing on something solid and true… like the way I imagine the humans who invented the first tools to stand.

Shawn Coyle on The Known & Unknown Motivators

We don’t know that we’re searching for something called “self-actualization,” we just find ourselves perplexed by the fact that we have every “need” checked off our list, but still we find ourselves lacking. No matter what we chase as a “want” to solve that emptiness, we’re left unsatisfied. What Steve calls Resistance is a force that pushes us away from the big questions. […]

So stories of depth and meaning are those that progress to this ultimate mystery, this ultimate need. The lead character may consciously desire a want, but it is his unconscious need for self-actualization that pushes him to the limits of human experience. […]

But remember, like their human counterparts, your fictional protagonists will distract themselves in innumerable ways from contending directly with them. They chase wants not needs. And in most instances, they will not consciously understand or reconcile the need to know themselves (who they really are) until the very end of the story.”

Shawn Coyle


I love studying story so much because it a) helps me understand my own motivations, needs, and wants, b) helps me understand people in general better, and c) helps me make things and communicate about those things in better ways, ways that resonate harder.

Transforming Ourselves

In jazz You can spend 8 hours a day blowin through a copper tube and I promise you, after 10 years, that tube will not change but you will be totally transformed. We’re transforming ourselves here. And you can’t do it if you’re not in public. If you can’t make your mistakes in front of people it doesn’t matter.”

Ben Sidran


This was a phenomenal episode of the WTF Podcast.

Listener emails Marc, “hey, you should interview my dad.” Marc says, “I don’t know your dad.” Kid says some more stuff. Marc says, “fine.” And it ends up being a phenomenal conversation (Marc calls it one of the best he’s ever had).

I loved this quote. I’ve fallen in love with “business” because of how much it’s taught me about myself.

(I think I fell in love with Jesus for the same reason… I guess it’s all about me. Maybe why we broke up?)

I said in a recent interview my favorite ever game to play is “build a business with Chase Reeves.” Making something with the goal of earning a living through it engages so much of my stuff… the bits I’m good at, the bits I want to get better at, the bits that are unabashedly me.

And the carrot on the end of the stick is finding out more about me and the people I serve through the things I make.

Now, I can hear how selfish this is. Count the me’s and I’s i’ve written so far. Sense the inward “all about me” gravity.

First of all, I realize I’m extremely prone to an unbalance, an overly “me” orientation. We all are, but maybe me more so than others… my wife will confirm.

Secondly, we gotta become ourselves, get comfortable in our own skin, get to a place where we’re confident about who we are, proud and grateful about the accomplishments and experiences that make up our DNA… we can’t love or serve or make sustainably without stepping into some kind of coherent sense of self.

I’m grateful that business has been both the canvas and the anvil. I express myself on it. It expresses itself on me.

Anyways, I loved this interview and this quote is the lil’ sliver I show you to get into it.

Replace all links to .mp3 with HTML5 audio tag using jQuery

I have a site full of music. When the Yahoo Media Player stopped working I had to figure out how best to convert all these text links to MP3s into playable bits on the page.

I found few things that were helpful, this one specifically. I grabbed the bits I needed, simplified, and came up with this:

I’m real green on jQuery, so i’m sure there are better ways to do this. But this worked for me.

Joseph Campbell on Uncertainty About Our Lives/Careers

If the path before you is clear, you’re probably on someone else’s.”

Joseph Campbell


Of course you’re uncertain.

Of course you don’t know which is best of two possible goods.

Of course you’re not sure how to best spend your time.

Can you accept this as a necessary part of the whole thing, of your life and all of our lives, and have a little more fun in the deciding?

Maybe even collect a sense of adventure about it?

Because if you go looking around for the right answer all the time, if you need a sense of absoluteness, if you worship certainty, you’ll never know enough.

The Dot & The Line: Some Gorgeous Screenshots

The Dot & The Line is a classic cartoon. It’s touching, smart and gorgeous. I was searching for good screenshots of scenes from the cartoon so I could ruthlessly steal from color choices because I’m a designer and that’s what I do, and couldn’t find any good ones. So below are screenshots of some of my favorite scenes from the cartoon.


A note on orange: Fizzle was the first identity I’ve built with orange as the main color. Turns out orange is an insane color… the hardest I’ve worked with to date. Put it with black and it’s halloween. The line between neon and mustard is wildly thin. It’s a hard color to work with. Most of the shots below have some sort of orange in it because I’m always curious about how others use orange.

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon


Geometries: Now begins a series of wonderful geometric shapes. This is the line discovering what he can do.

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon


Closeness: I love this little sequence showing the cuddling of the dot and the line. She moves close, slides up and around him, and as she does the yellow square changes color… super sexy.

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon

Screenshot from Dot and Line Cartoon


The best for last: And finally, my absolute favorite shot is this one.

Screenshot from Dot and Line Cartoon

The “A Little Bit Better” Obsession

Why are you hiding your joke from the audience? Don’t worry about feeding them your punch line a little bit stronger.”

Stephen Colbert, around 13m in


I find myself worrying about making the thing better. I’ve avoided any marketing efforts for Fizzle because I don’t think it’s ready yet.

I do so unconsciously. The thought will never naturally cross my mind to start pushing to get more people in. This is something my partner had to bring up to me.

It’s not ready. There are pieces missing that complete the intelligence of the thing. There are bits that, once created and installed, will make illuminate the artistry of the whole thing.

This is what it’s like to make a thing. A product. A website. A song. To be the kind of person who makes something, who has taste, who wants to please and impress people.

We all sound like this. Every one of us who’s making the thing.

We all struggle with this. Every one of us.

In this phenomenal interview with Stephen Colbert, Stephen shows us how he obsessed over making the joke better, making the punchline stronger, more of a payoff.

And then a mentor said the quote above. Get to the punchline. Cook faster. Don’t worry about making it a little bit stronger.

“A little bit stronger…” That’s where you get lost. Making things a little bit better, a little more flair, a bit more humanity, a little bit stronger.

Fizzle is already an amazing product. Raving fans, people using it to grow businesses that have been stale for years, people inside are reclaiming their creativity and hope, fizzlers are growing so much more confident and comfortable in their own skin as they make their things.

It’s already a good. Acknowledge that. Throw a little party in yourself. Celebrate it. Mark it on the calendar. Put a flag in the ground. Give yourself an honest pat on the back and one of those 100 Grand candy bars.

You’ve done something. You have. Draw up a thoughtful conclusion and end that chapter well before moving on to the next chapter.

Because I’m starting to worry that you’ll never be satisfied with the things you make.

And if they never feel good enough, you have to create your own milestones and throw your own lil’ parties.

Stephen Colbert on Noticing Work You Like

I realized I would show up for rehearsal at anytime, day or night; and I’ll stay for as long as it takes to get it right. And I thought: wow, I’d be really dumb not to pay attention to how hard I’m willing to work on that more than anything else. I’m eager for how hard the work is.”

Stephen Colbert, around 17:40 in