Ogilvy’s 10 Writing Tips

We’ve seen a few other lists from Ogilvy. He’s a listy guy. I tried hard not to need this one as well, but it’s just too good.

  1. Read the Roman-Raphaelson book on writing. Read it three times.

  2. Write the way you talk. Naturally.

  3. Use short words, short sentences and short paragraphs.

  4. Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ass.

  5. Never write more than two pages on any subject.

  6. Check your quotations.

  7. Never send a letter or a memo on the day you write it. Read it aloud the next morning — and then edit it.

  8. If it is something important, get a colleague to improve it.

  9. Before you send your letter or your memo, make sure it is crystal clear what you want the recipient to do.

  10. If you want ACTION, don’t write. Go and tell the guy what you want.
    David


Here’s some more writing tips on this site, and for all you freelancers out there (or wannabe freelancers), here’s a big ol’ guide about how to become a freelance writer.

Frank Chimero on How vs. Why

“A complex world has made us over-emphasize How-based thinking and education. Once the tools are understood, grasping why to do certain things becomes more valuable than how to do them. How is recipes, but learning a craft is more than following instructions.

How is important for new practitioners learning to avoid common mistakes. Why is for those who wish to push, are not risk-averse, and seek to improve. How is coulda, Why is shoulda. How is finishing tasks, Why is fulfilling objectives. How results in more, Why yields better.”

Frank Chimero

David Ogilvy’s Copywriting Process

In April 19, 1955 David Ogilvy wrote this to a Mr. Ray Calt. It outlines his process for copywriting an ad. It’s refreshing and human and I’m grateful for this honest look into his thoughts about work. (source)


Dear Mr. Calt:

On March 22nd you wrote to me asking for some notes on my work habits as a copywriter. They are appalling, as you are about to see:

  1. I have never written an advertisement in the office. Too many interruptions. I do all my writing at home.

  2. I spend a long time studying the precedents. I look at every advertisement which has appeared for competing products during the past 20 years.

  3. I am helpless without research material—and the more “motivational” the better.

  4. I write out a definition of the problem and a statement of the purpose which I wish the campaign to achieve. Then I go no further until the statement and its principles have been accepted by the client.

  5. Before actually writing the copy, I write down every concievable fact and selling idea. Then I get them organized and relate them to research and the copy platform.

  6. Then I write the headline. As a matter of fact I try to write 20 alternative headlines for every advertisement. And I never select the final headline without asking the opinion of other people in the agency. In some cases I seek the help of the research department and get them to do a split-run on a battery of headlines.

  7. At this point I can no longer postpone the actual copy. So I go home and sit down at my desk. I find myself entirely without ideas. I get bad-tempered. If my wife comes into the room I growl at her. (This has gotten worse since I gave up smoking.)

  8. I am terrified of producing a lousy advertisement. This causes me to throw away the first 20 attempts.

  9. If all else fails, I drink half a bottle of rum and play a Handel oratorio on the gramophone. This generally produces an uncontrollable gush of copy.

  10. The next morning I get up early and edit the gush.

  11. Then I take the train to New York and my secretary types a draft. (I cannot type, which is very inconvenient.)

  12. I am a lousy copywriter, but I am a good editor. So I go to work editing my own draft. After four or five editings, it looks good enough to show to the client. If the client changes the copy, I get angry—because I took a lot of trouble writing it, and what I wrote I wrote on purpose.

Altogether it is a slow and laborious business. I understand that some copywriters have much greater facility.

Yours sincerely,

D.O.

Here’s some more writing tips on this site, and for all you freelancers out there (or wannabe freelancers), here’s a big ol’ guide about how to become a freelance writer.

Stephen King on Two Kinds of Novelists

“I think novelists come in two types, and that includes the sort of fledgling novelist I was by 1970. Those who are bound for the more literary or “serious” side of the job examine every possible subject in light of this question: What would writing this sort of story mean to me? Those whose destiny (or ka, if you like) is to include the writing of popular novels are apt to ask a very different one: What would writing this sort of story mean to others? The “serious” novelist is looking for answers and keys to the self; the “popular” novelist is looking for an audience. Both kinds of writer are equally selfish. I’ve known a good many, and will set my watch and warrant upon it.”

Stephen King, intro to The Gunslinger

Aim For The Medium Chill (Not The Big Chill)

“There will always be a More and Better just beyond our reach, no matter how high we climb. We could always have a little more money and a few more choices. But as we see it, we don’t need to work harder to get more money to have more choices because we already made our choice. We chose our family and our friends and our place. Like any life ours comes with trade-offs, but on balance it’s a good life, we’ve already got it, and we’re damn well going to enjoy it.”

The Medium Chill


I liked this article. It put these thoughts in the right order… not too cute, not too brash.

It’s a struggle for me to walk this line between ambition — the call to a better me, a higher thing — and what we know is the stuff of happiness — being in the now, being grateful for what you have, focusing on relationships.

I struggle to not put “settling” in that last bit. It feels a bit like settling. “Settling” feels a bit like giving up.

So I like the way this guy makes The Medium Chill feel a little less like giving up.

A while ago I had an existential crisis. Like, literally in the park with my son on a shitty Portland day while I recorded an audio note about how nothing matters and I should just become a janitor and stop trying so hard.

I thought through the muck and landed on this as my new mandate: make some people’s lives better in small but meaningful ways.

That’s my medium chill mandate.

Richard Saul Wurman on Selling Discovery (Not Expertise)

“You sell your expertise, you have a limited repertoire. You sell your ignorance, it’s an unlimited repertoire. [Eames] was selling his ignorance and his desire to learn about a subject, and the journey of him not knowing to knowing was his work.”

Richard Saul Wurman


Don’t compete on right/better. Compete on joy/goodness. Don’t be the best designer or the best surfer. Be a good designer and a happy surfer.

This is by far the best quote I’ve heard about this. Your expertise will always have a limited supply in comparison to your ignorance. Acknowledge that, and make your learning – your discovery – a contagious joy.

James Altucher on How to be an Entrepreneur

“Some people can say, ‘well, I’m just not an entrepreneur.’

This is not true. Everyone is an entrepreneur. The only skills you need to be an entrepreneur: an ability to fail, an ability to have ideas, to sell those ideas, to execute on those ideas, and to be persistent so even as you fail you learn and move onto the next adventure. Or be an entrepreneur at work. An ‘entre-ployee.’ Take control of who you report to, what you do, what you create. Or start a business on the side. Deliver some value, any value, to anybody, to somebody, and watch that value compound into a career.”

James Altucher

James Altucher on Goals vs. Themes


Make the list right now. Every dream. I want to be a bestselling author. I want to reduce my material needs. I want to have freedom from many of the worries that I have succumbed to all my life. I want to be healthy. I want to help all of the people around me or the people who come into my life. I want everything I do to be a source of help to people. I want to only be around people I love, people who love me. I want to have time for myself.

THESE ARE NOT GOALS. These are themes. Every day, what do I need to do to practice those themes?”

James Altucher


Making the list of goals is hard. Or maybe it’s too easy and my mind immediately goes to all this unhelpful shit like directing a movie or being an NYT bestseller or whatever.

I love the way James turns that in this quote. “You want to direct a movie? Every day, what do you need to do to get closer to that?”

I can make that list. I can start that habit.

Of particular color and value here are the thoughts of Merlin on resolutions which you can find in this fabulous podcast episode. (Fast forward to about 41 min).

Write the list, then throw it away and start the tiny habit.