Ira Glass on doing the work

Nobody tells this to people who are beginners, I wish someone told me:

All of us who do creative work, we get into it because we have good taste.But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you.

A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have.

We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass

A Guided Meditation

I just finished up a guided meditation. Gil Fronsdal. It was a stretch, but I’m glad I did.

Pool Shirt

I feel very fat. I sat there feeling my love handles against the back of my shirt like gentle guilt. Then Gil told us to start relaxing parts of our body… the belly came up. I relaxed it. Holy shit! I was holding it in, like, 12 inches or something.

So I have all this fatness control under the surface of my mind, like some kernel task. I’m constantly sucking in, elongating my torso, trying to look buff-er and in-control-er. (more…)

Why I never take a simple project

Promising myself I’ll keep this quick: I was approached by a middleman to design a WordPress theme for a client of theirs. Not a critical-type project, just something that needed a look and needed to look good. Both parties are good people (the middleman and the client).

The budget ended up coming in too low so I turned the project down. (more…)

Merlin Mann on Why Typing Isn’t Hard, Writing is

[paraphrasing Stephen Pressfield] The closer we get to the thing that we want, the more we feel Resistance.

For a lot of us that might be writing. Let’s be honest, it’s not that hard to type – it’s really hard to write something good. It’s not that hard to do anything, really. But the problem is if you start really actually doing it – instead of thinking about it, instead of, like, polishing your beret – when you actually start doing it it’s scary.

It’s not being a writer that’s scary, it’s scary to write. If you don’t believe that, ask yourself why so many people who try to do it all the time have such a problem sitting down and typing.

It’s not because typing is hard, it’s because getting close to that thing is scary.

Merlin Mann

From the wonderful Back To Work podcast.


Here’s some more writing tips on this site, and for all you freelancers out there (or wannabe freelancers), here’s a big ol’ guide about how to become a freelance writer.

Merlin Mann on Two Fatal Rookie Designer Mistakes

According to Merlin Mann, there’s two fatal rookie mistakes for any client work:

  1. Something a little deeper than not charging enough – it’s not valuing what you do enough.
  2. Not having the stones to realize #1 enough to be really strong with clients. Not being able to say, “I couldn’t do a great job for you by charging that much.”

From the wonderful Back To Work podcast.

On Design Decisions & Hazing Your Clients

The design process contains countless twists and turns which can (read: “do”) alter the project significantly down the line. Sometimes they’re small things like this solid grey instead of that gradient; this width or that width; this color, this shape, this font, this etc. Sometimes they’re bigger decisions: this column there, this image, this message, this size.

All of the “this’s” are decisions that we designers make, sometimes aware, sometimes unawares. Have you ever slipped on the mouse, fk’d something up, and ended up sticking with it because it looked pretty good actually? I have. More than I feel comfortable admitting. (more…)

Stephen Pressfield on Conception, Birth & Primal Energy in Creative Work

“Conception occurs at the primal level. I’m not being facetious when I stress, throughout this book, that it is better to be primitive than to be sophisticated, and better to be stupid than to be smart.

The most highly cultured mother gives birth sweating and dislocated and cursing like a sailor. That’s the place we inhabit as artists and innovators. It’s the place we must become comfortable with.

The hospital room may be spotless and sterile, but birth itself will always take place amid chaos, pain, and blood.”

Stephen Pressfield in Do The Work