“11. Make things – Look around you. What do you see? Yah, shitty stuff made by impoverished enslaved people far away. Pick anything. Make a better one. People want good shit. You won’t get rich, but you’ll get by.”
“The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.”
“Don’t think about making art, just get it done. Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.”
I recently got into a new laptop. It’s not like the old days – now I need to be able to spin up the new ‘puter into a big boy professional workhorse as quickly as possible.
So I’ve created this list of apps and data to help me remember what I need to consider so’s I don’t miss anything important. These are roughly in order.
I’m posting it here in case you find it helpful. Also, so I’ll be able to find it next time I get a new ‘puter. <!—more—>
Last update: 2016-12-14
sudo spctl --master-disabledefaults write com.apple.Dock autohide-delay -float 0 && killall Dock/~/pictures/Lightroom~/pictures/lightroom/lightroom settings~/library/services“Ignorance … sheer ignorance. There is no confidence to equal it. It’s only when you know something about a profession that you are timid or careful.”
This is Orson Welles’ answer when asked “where he got the confidence as a first-time director to direct a film so radically different from contemporary cinema,” namely, Citizen Kane.
Through ignorance he directed a movie that changed the course of storytelling. Some facts from wikipedia:
His quote above reminds me of this one from Richard Saul Wurman on selling self discovery instead of expertise.
The scene pictured above is one of my favorites from the movie. So strange to see the main character set completely in shadow like this. Forced me to think about what Welles was saying about the event taking place in this scene.
I wasn’t sure if it would be too old timey to enjoy watching. I was pleasantly surprised.
“One trend I’ve noticed that is a little alarming to me, specifically in product design, is the compulsion to make everything perfect, at any cost. I’m not a big fan of the term “pixel perfect.” I think it fosters an inaccurate view of reality. I believe that good product design is efficient, collaborative, and always evolving. It’s never done and it’s certainly never perfect. Do I think design should be thoughtful and intelligent? Absolutely. I just see an obsession with perfection that feels like it belongs more to the arts than product design.”
“… that the primary function of the brain may be eliminative: Its purpose may be to prevent a transpersonal dimension of mind from flooding consciousness, thereby allowing apes like ourselves to make their way in the world without being dazzled at every step by visionary phenomena that are irrelevant to their physical survival. Huxley thought of the brain as a kind of ‘reducing valve’ for ‘Mind at Large.’ In fact, the idea that the brain is a filter rather than the origin of mind goes back at least as far as Henri Bergson and William James. In Huxley’s view, this would explain the efficacy of psychedelics: They may simply be a material means of opening the tap.
[…]
It is one thing to be awestruck by the sight of a giant redwood and amazed at the details of its history and underlying biology. It is quite another to spend an apparent eternity in egoless communion with it.”
“Don’t make stuff because you want to make money — it will never make you enough money. And don’t make stuff because you want to get famous — because you will never feel famous enough. Make gifts for people — and work hard on making those gifts in the hope that those people will notice and like the gifts.”
John Green via @jedidiahJenkins
Geez Louise. Took me about 3 days to watch this video. This is one I will come back to again and again. Below I’ve copied some lines that stood out to me. There were more things that stood out to me than I anticipated.
…because that’s what’s worth writing about: someone who’s given his life to something bigger than himself.
That is the basic motif of the hero journey: leaving one condition, finding the source of life to bring you forth in a richer condition.
The real problem is of primarily thinking about yourself, thinking about your self protection, losing yourself, giving yourself to another that’s what a trial is in itself.
What all of us have to deal with is a transformation of consciousness — that you’re thinking in THIS way and you have now to think in THAT way.
How is the transformation performed? By trials and illuminating revelations. Trials and revelations are what it’s all about.
The belly of the whale is the descent into the dark. The whale represents, is the personification of you might say, all the things in the subconscious. Water is the unconscious. The creature in the water is the dynamism of the unconscious, which is dangerous and powerful and has to be controlled by consciousness.
The first stage in a hero’s adventure is leaving the realm of light, which he controls and knows about, and moving towards the threshold. And it’s at the threshold that the monster of the abyss comes to meet him.
And then there are 2 or 3 results: 1. the hero is cut to pieces and descends into the abyss in fragments to be resurrected. 2. He may kill the dragon power, as Sigfried does when he kills the dragon. But then he tastes the dragon blood and assimilates its power. Now he hears the song of nature, he has transcended his humanity, re-associated himself with the powers of nature, which are the powers of our life, from which our mind removes us.
You see our mind, this consciousness, thinks it’s running the shop. It’s a secondary organ, a secondary organ of a total human being and it must NOT put itself in control. It must submit and serve the humanity of the body. When it does assert it’s control you get this man who has gone over to the intellectual side. (Darth Vader reaching to Luke: “Come with me and I will complete your training.”)
It’s the edge, the interface between what can be known and what is never to be discovered because it is a mystery transcendent of all human research… the source of life. What is it? Nobody knows.
Our life evokes our character, you find out more about yourself as you go on. And it is very nice to put yourself in situations that evoke your higher character rather than your lower.
It’s important to live life with a knowledge of its mystery, and of your own mystery. It gives life a new zest, balance, harmony to do this.
… erase anxieties, get into accord with the inevitabilities of your life, see the positive values in the negative and the negative aspects of the positive…
… She thought she was alone, you see? But she had friends. This is killing the dragon…
The european dragon represents greed. He guards things in his cave, heaps of gold and virgins. He can’t make use of either of them, he just guards. […] Psychologically, the dragon is one’s own binding of oneself to one’s ego, and you’re captured in your own dragon cage.
The real dragon is in you, it’s your ego holding you in. Your ego is: what I want, what I believe, what I can do, what I think i love, what I regard as the aim of my life and so forth. It might be too small, it might be that which pins you down. And if it’s simply that of doing what the environment tells you to do (your system) it certainly IS too small. And so the environment is your dragon and it reflects within yourself.
How do you slay your dragon? Follow your bliss, find where it is… do not be afraid to follow it. If the work that you’re doing is the work you chose because you enjoy it, then you’ve found it. But if you think, “oh I couldn’t do that…” That’s your dragon locking you in. “Oh no, I couldn’t be a writer, I couldn’t do what so and so is doing.”
Do we save ourselves or the world? You save the world by saving yourself. A vital person revitalizes the world. The world is a wasteland.
Do I have to do it alone? If you have someone who can help you, that’s fine too. But, ultimately, the last trick has to be done by you.
What is the place to find? Buddha’s nirvana, etc… what is that place? It’s a place in yourself of rest. Nirvana is a psychological state of mind. It’s not a place like heaven, not something that’s not here. It IS here in the middle of the turmoil, the whirlpool of life’s condition. Nirvana is the condition that comes when you are not compelled by desire or by fear or by social commitments. When you hold your center and act out of there.
The way a flower turns it’s head to face the sun, heliotropism, is a kind of consciousness. There is a plant consciousness. There’s an animal consciousness. And we share all of these things. You eat foods and the bile of your stomach knows if there’s something there to work on… this whole thing is consciousness. I begin to feel more and more that the whole world is conscious. If we see ourselves as coming out of the earth rather than plopped here from somewhere else, we are the earth, we are the consciousness of the earth, these are the eyes of the earth, this is the voice of the earth, what else!?
How do we elevate our consciousness? Meditation. All of life is a meditation, most of it unintentional. A lot of people spend most of their meditating on where their money’s coming from and where it’s going to go, but that’s a level of meditation. Or if you have a family to bring up, you’re concerned for the family. These are all certainly very important concerns, but they have to do with physical conditions mostly. How are you going to communicate spiritual consciousness to the children if you don’t have it yourself, so how do you get that? The myths. What the myths are for is to bring us into a level of consciousness which is spiritual.
… this is simply a lower level of that…
… when he’s talking about the old cathedral man… “want to see my room?” I got nervous for him.
My own note: myths, maybe, are not the stories themselves, certainly not the historical facts of the events. Rather they a myth is the way it changes our civilization over time. A myth is never finished in this sense. A myth is not the events, not the story nor the moral, but it’s the way all the things of the myth interact with our consciousness over years and years… not as individuals but as a human organism, a civilization. A myth is the way that myth causes us to change the way we live over hundreds of years.
You can tell what’s informing society by which buildings are the tallest. When you approach a medieval town, the cathedral is the tallest in the place. 17th century, it’s the political palace that’s the tallest in the place. And when you approach a modern city, it’s the office buildings and dwellings that are the tallest in the place. That’s the history of western civilization, from the gothic through the princely periods of the 16th, 17th and 18th centuries, to this economic world that we’re in now.
All myths have talked about (1) the maturation of the individual: the pedagogical way to follow from dependency, through adulthood, through maturity and then to the exit and how to do it. And then (2) how to relate to this society and (3) how to relate this society to the world of nature and the cosmos.
“What I left behind: that old way of living, where pushing and controlling and multi-tasking chokes out love and kindness and presence. I left behind exhaustion as a way of life, and as a status symbol. I left behind work as identity and scooped up as much love and hospitality as I could, cramming it into my worn-out heart, bringing it home, bringing it into a life I’m still remaking from the inside out.”
I was on this trip with Shauna. The experience is fk’n with me… in a good way. Hospitality as a lifestyle…